Free PDF Vintage Murder: Inspector Roderick Alleyn #5 (Inspectr Roderick Alleyn), by Ngaio Marsh
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Vintage Murder: Inspector Roderick Alleyn #5 (Inspectr Roderick Alleyn), by Ngaio Marsh
Free PDF Vintage Murder: Inspector Roderick Alleyn #5 (Inspectr Roderick Alleyn), by Ngaio Marsh
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Inspector Roderick Alleyn has to date confined his investigations to England, but Vintage Murder finds him journeying to New Zealand (Ngaio Marsh’s homeland). Traveling with Alleyn are the members of the Carolyn Dacres English Comedy Company. The actors' operatic intrigues offer an amusing diversion until, unexpectedly, they turn deadly. And Alleyn learns – not for the last time – that while he may be able to leave his badge back in Blighty, he’s still a policeman, even on the other side of the world.
- Sales Rank: #278130 in Books
- Published on: 2012-03-16
- Original language: English
- Number of items: 1
- Dimensions: 7.62" h x .58" w x 5.59" l, .69 pounds
- Binding: Paperback
- 224 pages
Most helpful customer reviews
11 of 11 people found the following review helpful.
Alleyn's first visit to New Zealand
By Michele L. Worley
Roderick Alleyn of New Scotland Yard is visiting New Zealand on holiday for health reasons in 1937 - a very long journey in distance, then and now, and in those days by sea voyage. He'll be away from Fox, Bailey, Thompson, and the rest of his team for quite a while - more than 3 months in New Zealand itself. The story opens during a long train trip across South Island with some of his fellow passengers from the ship - the Carolyn Dacres English Comedy Company.
Ms. Dacres is the sparkling leading lady; her middle-aged, humdrum husband, Alfred Meyer, runs the business end of the company. Hailey Hambledon, Carolyn's handsome leading man, wants her to arrange a divorce with Meyer and marry him. Carolyn refuses, claiming religious scruples; it's hard to say if Carolyn loves Hailey, or is merely being diplomatic. Some of the character actors have been gambling heavily. Valerie Ganes, a mediocre actress (a dilettante with a rich father) suffered the loss of a large amount of cash, but isn't keen on even a quasi-official investigation. Meyer's business partner, Mason, seems habitually worried about money.
Meyer *seems* oblivious to all this, and after a successful run in Middleton (fictional city), arranges an elaborate birthday party for Carolyn, with an eye toward publicity, and including a flashy gimmick of lowering a huge champagne bottle from the rafters. But someone apparently decides to launch a venture by aiming the bottle at Meyer's head.
At this point in his career, Alleyn had only had one murder case entangled with the world of the theatre - _Enter a Murderer_, which occurred 2 years before this story opens - so the matter of the earlier case (and the name of the murderer) are mentioned several times. In fact, a character actress in the company was a minor character in the earlier book. While one can enjoy and follow the plot of _Vintage Murder_ without having read the earlier story, it has added depth after reading the earlier book - and if they're read out of order, the solution of the earlier book is given in the 1st chapter of this book.
While this is only the second 'theatrical' case Alleyn investigated, several more were to come, and other changes took place shortly after the events in this book. Taking ship for the return journey to England as _Artists in Crime_, the next book, opened, Alleyn was to meet Agatha Troy for the first time. :)
7 of 8 people found the following review helpful.
Entertaining Novel Marred by Patronizing Racism
By Gary F. Taylor
Like her contemporaries Dorothy Sayers and Agatha Christie, Ngaio Marsh possessed a sort of patronizing racism typical of the “British Empire” mentality. Sayers was very mild; Christie would shake hers after the horrors of World War II; but Marsh persisted in it throughout her career, and it is particularly noticeable when she writes about the Maori of her native New Zealand, which is the setting for her fifth novel, VINTAGE MURDER.
Today Marsh is best recalled as a writer, but she was also a professional stage actress and director, and once again she gives her story a theatrical setting, with Alleyn unexpectedly involved with a touring theatrical company that stars noted actress Caroline Dakers. Although Alleyn is on a long vacation after an unspecified illness, Miss Dakers herself reaches out to him when her husband and manager declares someone has tried to murder him—and then, in almost the same breath, a supporting actress announces she has been robbed of a large sum of money. Most of the company (including Susan Max, who we met in ENTER A MURDERER) suspect the attempted murder was really an accident, and the robbed actress suddenly seems unwilling to pursue the matter of her stolen cash—but crime strikes again in a particularly bizarre way when Alleyn is invited to attend Miss Daker’s birthday party in the aftermath of a sold out performance.
In telling her story, Marsh has characters state that there is no “color barrier” in New Zealand, but at the same time presents Dr. Te Pokiha, an extremely Anglicized, high caste Maori who is nonetheless intrinsically “savage.” By 1930s standards Marsh’s attitudes are enlightened, but in the modern world it is an unattractive gloss. The novel is further marred by a not-entirely-successful denouement. Even so, Marsh knows how to cast a spell, and she captures the off-stage drama of the theatrical world she knew so well and she also endows New Zealand with an impressive literary beauty. Worth reading for those points alone.
GFT, Amazon Reviewer
5 of 6 people found the following review helpful.
A late train, a provincial theater, a great actress
By Amazon Customer
This one is mixed, though let me say from the outset, it's worth reading.
The bad, or at least not-so-good?
The center of this mystery drains your energy, possibly in part because of the almost Tolstoyesque proliferation of characters - almost, because nobody in this novel has a half-dozen nicknames you have to keep straight. There is also a heavy and almost repetitive ladling of timetables and alibis that a more stringent editor might have pared down.
Too, you might get a bit tired of the way the New Zealand police force sucks up to Alleyn, especially since he seems never to be wholly on top of his form. (As another reviewer says, except in one letter from Alleyn, there's no Fox to act as an intelligent sounding board. When at his boss's side, Fox serves to reveal Alleyn's sharpness, and without Fox, much of that sharpness can't surface.)
The good side?
There are moments that bring the story to life. Amazon and the publisher have enabled the "search in this book" feature above: search on `fascination train' without the single quotes and read the page. Late-night, cross-country passenger train rides are rare in my country, the US, but I've been on a couple, and Marsh clearly has captured the essence.
Plus, the backstage world is well depicted - you get to see a little about how the technical side of theater lives and breathes. The novel revolves around a fabricated tech "accident" and there's a bit of foreshadowing that brings depth to a later statement, "when men are working aloft. I remember the stage-manager told me the [stage] hands always have their tools tied to their wrists." The reality of backstage is that when everything is perfect, nobody really notices - and when something goes awry, the stagehands could not feel worse.
There is also a crystal moment between Alleyn and Carolyn Dacres, a picnic excursion that the smitten Alleyn orchestrates to soften the usual grilling session. Here, Marsh expresses both the essential goodness (and grief) of the actress and the essential attraction of the New Zealand back country.
There are also memorably complex characters. Is it coincidence that surname of the Oxford-educated Maori physician, Dr. Rangi Te Pokiha, is about as close as you can get to "paheka," the Maori name for European settlers on the ranges of their land? And don't miss St. John Ackroyd, the acrid comedian.
And the last lines of the book, quoting a letter from Miss Dacres to Alleyn sent to him after all has been said and done, presents a touchingly human denouement.
I guess this is a roundabout way of saying, all Marsh is good; some are better than this; but this has fine moments.
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